Ting trained at LAMDA and is a sound designer, composer, and theatre maker. She grew up in Beijing and studied in the Netherlands before moving to the UK.   

As sound designer/composer, theatre credits include: 1536 (Almeida Theatre); Macbeth, Titus Andronicus and Edward II (Royal Shakespeare Company); The Crucible (National Theatre/West End. The Stage Debut Award for Best Creative West End Debut); London Tide, Dear Octopus (National Theatre); Entertaining Mr Sloane, The Little Foxes and Klippies (Young Vic); Make It Happen (National Theatre of Scotland/Edinburgh International Festival); The Secret Garden and The Tempest (Regent’s Park Open Air Theatre); My Son’s A Queer (But What Can You Do?) (New York City Center/West End/UK Tour/Edinburgh Festival/Turbine Theatre. WhatsOnStage Award for Best Off West End Production); Lyonesse (West End); Quiet Songs (Les Théâtres de la Ville de Luxembourg/Barbican); The Ministry of Lesbian Affairs (Kiln Theatre); East Is South, Rock’n’Roll, The Breach and Folk (Hampstead Theatre); In The Ruins of the Big House (Factory International); A Doll’s House and Scissors (Sheffield Theatres); Twine (Yard Theatre); Macbeth (ETT/Shakespeare North/International Tour); Black Superhero (Royal Court); Watch On The Rhine (Donmar Warehouse); The Beekeeper of Aleppo (Nottingham Playhouse/UK Tour); War & Culture (New Diorama); After The End and The Sun, the Moon, and the Stars (Theatre Royal Stratford East); A Christmas Carol (Nottingham Playhouse/Birmingham Rep/Alexandra Palace/BBC. Composer); Ruckus (Summerhall/Southwark Playhouse/UK Tour); Two Billion Beats (Orange Tree Theatre). 

Radio composition credits include: Humane; BURP.  Short Film composition includes Medea/Worn; My Last Duchess.

Her work as a creative collaborator and making sound and music includes Walking Cats (Vault Festival. Origins Award for Outstanding New Work); Imaginarium (Online Tour).