Ella Wahlström is a London-based Sound Designer trained at Rose Bruford College. She is a board member at the Association for Sound Design and Production.

Recent Sound Design credits include: Midsomer Murders (UK tour), By Royal Appointment (Theatre Royal Bath), Drop the Dead Donkey (UK tour), Power of Sail (Menier Chocolate Factory) Sam and her Amazing Book of Dinosaurs (Hong Kong Ballet and 59Productions); Peter Pan Goes Wrong (Lyric, West End, UK Tour and Ethel Barrymore, Broadway), The Unfriend (Wyndham’s and Criterion, West End), Bleak Expectations (Criterion, West End); 101 Dalmatians (Regent’s Park Open Air Theatre); Ava: The Secret Conversations (Riverside Studios); Dogs of Europe (Barbican Centre); The Wicker Husband (Watermill Theatre); Rare Earth Mettle and Inside Bitch (Royal Court); The Lemon Table (Michael Grandage Company); Piaf (Nottingham Playhouse); I Think We Are Alone (Frantic Assembly); Noises Off (Garrick, West End); Jellyfish (National Theatre); Sometimes Thinking (National Theatre, River Stage); Black&White (SJACC and 59Productions, Kuwait); Trying it On (RSC and Royal Court) and The Life (English Theatre Frankfurt).

Ella is the sound designer of Esa-Pekka Salonen’s Cello Concerto which premiered in Chicago in 2017 with Yo-Yo Ma as the soloist; and the co-Sound Designer of Robert Wilson and Mikhail Baryshnikov’s Letter to a Man.